(with Chris Game) The actor's self awareness and character development is expanded through script analysis, movement, sense memory, personalization of given circumstance and emotional truth. This ongoing scene study class challenges actors to develop an individual and organic approach to acting.

(with Patrick Pankhurst) Preparation and Performance Mondays. Learn how to translate all your stage training into camera technique. Each week the actors will be given appropriate material from Film and TV. You'll prepare the scenes and put them up in class, and learn a film style of acting by watching your own work. Classes are small and everyone works on camera at least twice a night. Level II On Camera Workout/The Art of Auditioning....Tuesdays

Challenging scenes from TV and Film scripts will be distributed on line and actors are expected to come to class prepared to audition. You'll learn a preparation process that will help you to memorize and discover material quickly. Our focus will be on making your auditions an arena where you can express yourself as an actor/artist. People who have upcoming auditions can bring material to class and work on it on camera. This is a class for working actors and is not a cold reading class. This class is guaranteed to challenge your approach to auditions.... and maybe show you why you're not booking as much as you think you should.

(with Patrick Pankhurst) A more hands on approach for hard working advanced actors. Each class you will come prepared to audition and film scenes from current productions. Actors will act, direct, and shoot material every week. We will also work on location as much as possible.

(with Dave Fofi) This class focuses exclusively on contemporary plays and those up and coming playwrights writing the most talked about plays for the American stage. David Fofi, who is known for his no-nonsense approach and incredibly detailed and nuanced direction, brings his unique style to the classroom. Warning: There will be no walking on eggshells in this class.

This class is ideal for actors who want to work in an atmosphere geared towards live performance and refining the relationship and communication between director and actor. Class will culminate into a live presentation of the work created on the Elephant Stage. Sessions will include guest artists including industry professionals Rick Pagano and Michael Arabian.

(with Michael Arabian) A reality based approach where the actors work "moment to moment" from themselves, living truthfully in any given situation. Emphasis is on text work, breaking down the script and uncovering the subtext. Michael will also direct the scenes so the actor gets practice taking direction and being challenged to have the courage to express ones self fully.

(with Chris Game) Learn on camera skills and commercial audition technique with casting director Chris Game of Chris and Jed casting. Chris has over ten yearsexperience casting national commercials such as Toyota, Pepsi, Taco Bell and Gatorade.

(with Michael Arabian) Tools will be given that the actor can actually use in developing their craft. These tools will be discovered through exercise work using techniques by Uta Hagen, Meisner and Strasberg. For example: repetition, moment to moment, given circumstances, etc. We will then utilize the tools learned from the exercises, in scene work later in the sessions. The goal is to empower the actor to create truth based, inspired work that is uniquely them in any acting situation whether it is theatre, TV, or film.

(with Michael Arabian) From Booking to the Set. This course prepares the actor to know how to work within the confines and distractions of a film/TV set in order to give a performance that you and the director will be happy with. The actor will learn how to breakdown a script and do character work by putting themselves in the director's shoes. The actors will be directed in different ways to get a sense of how different directors work.

Each week (3-4 hours per class) over 12 weeks, we will advance the process from being cast to wrapping on set. Scenes from screenplays will be broken down and character work developed, and then brought to the set. A basic set environment will be created with available furniture, props, costumes and scenic pieces. Actors will never rehearse together outside of class because in the industry actors meet for the first time on set. The actors will be directed in different ways. Basic lights and camera will then be brought in to shoot the scenes with the whole class working as crew and extras. Scenes will be reviewed by the class on a monitor during the shooting.